The late 1820s and early 1830s, when Balzac entered the literature, was the period of the greatest flowering of the work of romanticism in French literature. The great novel in European literature before the arrival of Balzac had two main genres: a novel of personality – an adventurous hero or a self-deepening, lonely hero and a historical novel.
Balzac departs from both the novel of personality and the historical novel of Walter Scott. He seeks to show the “individualized type”, to give a picture of the whole society, the whole people, the whole of France. Not a legend about the past, but a picture of the present, an artistic portrait of bourgeois society, is at the center of his creative attention.
Not a heroic person and not a demonic nature, not a historical act, but a modern bourgeois society, France of the July monarchy – this is the main literary theme of the era. In place of the novel, the task of which is to give in-depth experiences of the individual, Balzac puts the novel about social mores, in place of historical novels – the artistic history of post-revolutionary France.
Honoré de Balzac (/ˈbælzæk/ BAL-zak, more commonly US: /ˈbɔːl-/ BAWL-, French: [ɔnɔʁe d(ə) balzak]; born Honoré Balzac; 20 May 1799 – 18 August 1850) was a French novelist and playwright. The novel sequence La Comédie humaine, which presents a panorama of post-Napoleonic French life, is generally viewed as his magnum opus.
Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Émile Zola, Charles Dickens, Gustave Flaubert, and Henry James, filmmakers François Truffaut and Jacques Rivette, and philosophers such as Friedrich Engels and Karl Marx. Many of Balzac’s works have been made into films and continue to inspire other writers.
An enthusiastic reader and independent thinker as a child, Balzac had trouble adapting to the teaching style of his grammar school. His willful nature caused trouble throughout his life and frustrated his ambitions to succeed in the world of business. When he finished school, Balzac was apprenticed in a law office, but he turned his back on the study of law after wearying of its inhumanity and banal routine. Before and during his career as a writer, he attempted to be a publisher, printer, businessman, critic, and politician; he failed in all of these efforts. La Comédie Humaine reflects his real-life difficulties, and includes scenes from his own experience.
Balzac suffered from health problems throughout his life, possibly owing to his intense writing schedule. His relationship with his family was often strained by financial and personal drama, and he lost more than one friend over critical reviews. In 1850, Balzac married Ewelina Hańska, a Polish aristocrat and his longtime love; he died in Paris five months later.